- Draw with intention not habit.
- Draw with decision not carelessness.
- Draw with observation not assumption.
- Draw with feeling not boredom.
- Draw with freedom not constraint.
- Draw with confidence not fear.
With all this going on in our brain it’s no wonder we make so many assumptions when it comes to how to draw. Check out this short Teded video for a great explanation.
Put very simply
Why do we need to know?
The use of cool and warm colours helps in aerial perspective. Warm colours tend to come forward and cool colours recede into the distance.
Adding colour to drawings is often a nerve wracking experience. Limiting our colour options helps us to be creative without being overwhelmed with all the wonderful colours to choose from. My favourite coloured tools are watercolour pencils – Faber Castell – Albrecht Durer and Derwent – Inktense pencils are fantastic artist quality and my preference. You can buy them individually or in different sized sets.
A basic kit of cool and warm primaries (more on that soon) plus a few extra is all you need. I often use only Indigo, ultramarine, a dark crimson, cad red and cad yellow or raw sienna (although I did sneak in a grey green in the sketch below)
All my recommended do’s and don’ts of the Space & Time post apply to working in colour as well. However there is something else that is crucial to remember when working with colour.
Colour does not replace tonal variation.
Many drawers forget about shapes of tone and replace them with shapes of colour regardless of what the tone is. Colour provides an additional layer of interest on a work that should stand up tonally as a well balanced composition even without colour. When you see a boring watercolour painting it is likely so because the artist has not paid attention to the darks and lights.
Ok ok…. I’ll jump down off my favourite soap box…. back to sketching in colour. Some tips regarding using watercolour pencils. This is not an exhaustive list so I hope you find your own techniques as well (and share them)
Creatively, negative space is any space or shape that’s next to, but not, the thing you are drawing. Like yin and yang they have to exist together. One of my favourite examples is the word ‘skyline’. It exactly describes the negative shape when we look at a city scape. Instead of drawing the ‘building line’ focus on the sky and draw the skyline. That will make your life much easier 🙂
Oh and while I was playing with Gimp (a free version of photoshop) I did this cool thing 🙂
You don’t need a dedicated studio or a large amount of time to get back to (or continue) with your creative pursuits.
Dedicated studio = a place where you can leave things set up; where you don’t have to pack things away; where you can step back in and carry on where you left off. What a great luxury that not many of us have. I’ve got a great excuse to have a studio for myself – I have over a hundred students coming through my large teaching art studio every week so I’ve kept a corner for myself. Perfect.
So, how do you keep the creative spark going? The first thing you need is the attitude that art can happen anywhere and anytime and drawing is the perfect vehicle for that. An A5 visual diary and a pen is all you need to start. It can be a simple ball point pen, a special waterproof ink pen or anything in between. It doesn’t even matter what colour it is.
A pen works instead of a pencil (although that’s also fine) because you don’t have to sharpen it (and carry a sharpener or knife), it won’t break or mess up a bag . You won’t get your hands covered in graphite as you draw and you won’t have to worry about erasing! Believe me, all of that frees you up.
It actually doesn’t matter what the end result looks like. It matters that you are involved, observing and following where the line takes you.
Dare to stuff it up!
So many times we start a drawing off and it just works. Then we get scared to continue in case we mess it up! Unfortunately the only way forward (and we must go forward) is the take the risk to stuff the work up.
We have to get over that risky section to the next and do the best we know how to do in that moment.
Sometimes if we think we have messed things up then that enables us to stop worrying and really push ourselves to create something brave.